Artist Interview: Mariko Jesse

Mariko is an illustrator and printmaker. She’s been part of Art Byte Collective for a year. In this interview she talks about color, artists and her studio practice.

Do you have a favourite color or color palette?
I tend to use organic colours in my work, like browns, greens and reds, but I like adding little details of bright pink and yellow.

Do you have a favourite artist?
I love artists whose work is unlike mine, but make me think in a new way, or surprise me and inspire me conceptually, eg. Howard Hodgkin, Cornelia Parker, Richard Wentworth, and James Turrell. I’m also inspired by illustrators, such as Tove Jansson, Quentin Blake and Laura Carlin.

Explain your work in up to 40 words.
I’m an illustrator and printmaker, working in etching and mokuhanga (Japanese woodblock), and my prints are generally small and delicate. Being Eurasian, my work explores ideas about sense of place, belonging and mixed heritage. 

Do you pursue any themes? If so, what?
My work often features ceramics, specifically chinaware concerning tea. Tea, and its visual history, is endlessly fascinating to me. I’m inspired by ordinary things, like the teacups we use every day.

Describe your studio practice? Do you have any habits or rituals when producing art?
I can only start making prints when the studio or place I’m working is completely clean and tidy. It quickly becomes chaotic, but it has to start tidy!

Where is your favorite place to do work? Do you have a dedicated workspace or routine?
Working in the print studio is one of my favourite things. It’s a separate environment from my daily life, and I’m then able to shift my mind into a creative mode. I do my illustration work in a design studio, but love making prints in a space where I can make a mess!

Do you do any research and what kind if you do?
I always do research before starting any project or artwork. Usually it’s visual research, in the form of sketches from museum or library visits. I sketch all the time, and my many sketchbooks become my inspiration and source of information.

How long have you been working in the medium used for your work for In The Details?
I made my first print at around 4 years old; a monoprint made at kindergarden, but formally learned etching at art college. I studied mokuhanga in 2004 in Japan.

What do you like about this medium and what are its challenges?
There’s something special about printmaking, an element of chance, that I absolutely love. Sometimes it doesn’t work out, but just as often it can be perfect! I’m concentrating on mokuhanga at the moment, and looking forward to experimenting more.

What would you like people to know about your work.
My works are prints, which means they are part of an edition of a certain number, but as I usually work into my prints individually afterwards, in a variety of ways, they then become unique pieces, and not part of an edition. That’s why they are usually marked 1/1. 

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Artist Interview: Ling Liu

Ling Liu is based in Yokohama and is part of Launch Pad Gallery. She studied printmaking in San Francisco. In this interview, Ling talks about her work and the emotional process and sometimes unpredictable nature of printmaking.

Do you have a favourite color or color palette? 
Teal and Purple.

Do you have a favourite artist?
Robert Rauschenberg 

Explain your work in up to 40 words.
Transferring the images of my primitive emotions that pop up in my mind but no words in any language can describe them for me. 

How do you know if an idea needs is working, needs revision or needs to be abandoned?
I go by my gut feeling.

How long have you been working in the medium used for your work for In The Details?
I’ve been a fine art printmaker since 1997. Working mainly in Monotype since 2006.

What do you like about this medium and what are its challenges?
I enjoy printmaking’s unpredictable nature. You don’t know the result till you print the image on to a paper no matter how hard you work on the plates. The moment of pulling is suspenseful but when the image turns out good, it makes me super happy.

Artist Interview: Mia O

Mia O is a Korean mokuhanga artist and painter based in Tokyo. You can read more about her on her bio page.

Is there a book or a film that influenced you?
Two books that have recently impacted me are Guns, Germs, and Steel by Jared Diamond and Sapiens by Yuval Harari. These books have expanded my vision, inspiring my growing interest in history, philosophy, and anthropology.

Do you have a favourite artist? I have many favourite artists, which are constantly changing, according to what I am working on. The artists who are always at the top of my list are Jakuchu, Ufan Lee, Cy Twombly, Andy Goldsworthy and James Turrell. 

Do you have any habits or rituals when producing art?
When I arrive at my studio, I write a note detailing the very least that I should do on that day. Most of time, when I am finished in the studio, I complete what I have written.

Where is your favorite place to do work? Do you have a dedicated workspace.
I used to work at home, which was sometimes distracting for me. Last year, I found a small space in my neighborhood. Since then, even if I spend only a small amount of time there, I am able to focus my mind entirely on my work.

How long have you been working in the medium used for your work for In The Details?
For In The Details, I am exhibiting my acrylic paintings on paper. Although many people know me for my work in Mokuhanga, I have been painting in acrylics for over 20 years, and acrylic painting has been the inspiration for my work in Mokuhanga. 
Currently, I am adding a lot of water to the acrylic paint, so that it acts more like watercolor. I want to capture of drooling of the paint on the smooth paper surface. 

Could you talk about your creative process for responding to the theme of In The Details? Did your idea come to you right away? Did you have to experiment a lot?
When I work, I usually don’t think about a theme. For over 10 years, my practice has been driven by concepts of landscape, so my work naturally fit the theme of this exhibition. As with most artists, I constantly seek new imagery. These paintings represent approximately 8-9 months of physically expressing my conceptual ideas. I never know how long a painting will take me to finish.

Sometimes inspiration strikes and everything comes together just as imagined and other times inspiration is just a starting place. How close is your finished piece to what you first imagined?
For me, making art is like an experience where you don’t know what will come out at the end. If you know the results ahead of time, the experience is not as exciting. Sometimes, even what may seem like mistakes are driven to nice directions; the painting becomes a journey. I’m very satisfied with my paintings in this exhibition.